We have a student art exhibit in the college gallery. There are lots of paintings, prints, sculptures, hangings, etc. In the center is this exhibit on a table that I find intriguing. It's a painted umbrella, hand, pen on a board that says:
This isn't working for me.
I just can't trust you anymore.
Here are two puppy paintings I'm working on for class. My friend has a great Bernese Mountain Dog. As a puppy she was real fluffy and cute, like a teddy bear. The first one I painted in blues and purples. The second in blues and greens.
This term I'm taking painting class again. I decided to try water soluble oil paints - they are alot different from acrylics in application and drying time, but have
water clean-up instead of turpentine.
Here are two small paintings I made recently. Both are from painting workshop books. The first is a copy of a snow scene from the bookOil Painting: The Workshop Experienceby Ted Goerschner. When Rick saw it he said, "I don't know what that's supposed to be.....is it a swimming pool?" I think I still have a ways to go with the Impressionistic syle. In this painting I just tried to reproduce what the artist did. This is 8x10" in oil.
The second is my version of a cow painting from the book 60 Minutes to Better Paintingby Craig Nelson. The idea of the book is to make quick paintings in 60 minutes or less in order to focus on the subject and not get bogged down in the details. This took me alot longer than 60 minutes and I did get bogged down in the details, but I see where he is going with his idea. I actually had to look up cow anatomy in order to figure out how the legs work. I have this cow on a bigger canvas in class and started this one as a study at home (since I've been home sick, I've been working on it and the other one is only half done). 8x10" in oil.
I've been staying home with a bad cold. All I've done is sleep, paint a bit, read some books, recharge my camera batteries, watch TV and take the dog out. It's a bore.